I “cani attori” di Claudio Mangini, attraverso il linguaggio dei sordomuti, “traducono” i testi delle canzoni.
E' successo a Fermo, nelle Marche, e nella terra d'origine dell'animal trainer toscano: la maremma.
Ma andiamo order.
The word is only one of the tools we use to communicate with our fellow man, as a percentage represents only a small component of the global language that is built instead on a series of composite and varied modes of expression through which the human being projecting messages and emotions that often transgressed even the word until a replacement power.
community knowledge "nonverbal" allows you to discover the most intimate secrets about themselves and convey them to others, and in a normal conversation reveals a language that goes beyond words.
The position of the body, signs and gestures that the individual expresses a thought during and for a dialogue are not random, but related to their emotional states.
But what happens when our need to receive and communicate an emotion become music?
How many times have we found in it that we lack the words to express a thought?
The gestures of the body - think of the music and dance combined with his lyrics - they become messages that emphasize and penetrate deep, coming up with all their strength even when the hearing of a human being can not be less fortunate.
Sign Language, then, exploits the visual-gestural channel and the message is delivered with the body, transmitting emotions contextualized within a broad representation.
This concept is born " THE MUSIC OF DEEDS, THE MUSIC OF WORDS "- a project created by the animal trainer Claudio Mangini and shared by the band" Jalisse "(winner of the Sanremo Festival in 1997 with" Rivers of words ") as part of their Project GROW TOGETHER, FOR THE ART. " The goal of
Claudio Mangini was to be "translated" to his dogs through sign language and "non-verbal," the lyrics prepared by school children involved in the project of Italian musical duo Jalisse; work long and complex relationship with his animals that will be presented along with Jalisse November 28 in Faenza MEI (Meeting of Independent Labels) in booth institutional SIAE
D: "How did you come up with this idea?"
R : "One day I came in contact with a deaf-mute child who was with his family and his dog to my heart. The children could not play well with his inseparable companion on all fours, and it's created a largely psychological disorder that was compounded by his inability to communicate like other children his age. I studied the case and then began to lavoraci above. I noticed that between my way of working in film, where the commands are given with the body and not with the voice and needs of the child was a large parallel fondo su cui avrei potuto sviluppare questa particolarissima applicazione."
D : "Quanto lavoro c'è dietro ad un progetto del genere?"
R : "Tantissimo. Per partire in modo serio ho dovuto per prima cosa imparare le basi del linguaggio per i sordomuti, dopodiché entrare in contatto con gli specialisti del settore (psicologi dell'età evolutiva e del linguaggio). Solo dopo questo percorso formativo e molti tentativi andati a vuoto, ho trasferito tutto il lavoro sui cani, finalizzandolo ad uno scopo pratico."
D : "Puoi descriverlo?>"
R : "Beh, basta pensare cosa possa significare per un sordomuto avere qualcuno con cui parlare , to ask something ... in your language. But this was not enough: I needed to also transfer the emotions. Peculiarities of strengthening and dynamic voice. The road was definitely harder this, and I found it once again, the insight into the work I do for the film, considering that the purpose of film - especially with animals - is to transfer emotions. "
Q: "What we need to look to tackle a job of this magnitude?"
R : "Much, no doubt. When you go to touch issues of great social importance can not be thought to train a dog to do the exercises, but it goes further. We constantly surf the common boundary line of what I call "understanding". The disciplines from which I drew to achieve this are many: over ethology, the Proxemics (the discipline that studies the space and distance in a verbal and nonverbal), the CHINESE ( which studies the phenomena of communication learned and executed through the movements of the body), the semiotics (the discipline that studies the phenomena of signification and communication) ... and some personal little secret. "
D:" How did collaboration with Jalisse ? "
R :" We met in a demonstration near Venice in which we participated together and we put carpet on our common projects in very natural way. They were working on a project with school children and we decided to work together on this wonderful adventure. We are all three very close to the world of childhood and social problems. It 's the heart that unites us, in addition to music and love for animals, I would say a perfect marriage between people who have the same spirit. "
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